Well I said I'd be back and I'm back! Writing/annoying you again :P Let's start by talking about BAAM fest. It went well, I think? I had a small but faithful crowd gathered at my feet in the very red tent and they were very forgiving of the frog in my throat as I tried out new tunes. It was good to reconnect with old friends and to sing 'Widemouth Bay' in it's home town. The only thing that would have made that more perfect for me were if I'd actually sung it on the cliffs of Widemouth Bay, it felt right to bring it home although I guess people forget I'm a Cornish girl these days. I remember discussing what I was with my Dad when I was younger as I was one of a generation of kids living in Bude but born in Barnstaple as our local hospital wasn't really setup for child birth. As a result we are doomed to wander the counties, unlabelled! Haha 


Anyway let's talk about the album. I've got two weeks. TWO WEEKS! Where has the time gone? Two weeks 'til I'm back in the studio (where I belong) recording my sixth album, which will also technically be my debut album, as Roseanna Ball - even though we changed the artwork of Geography for the reissues so as not to confuse people..... I'm not helping am I? The album has suffered many changes since it's first conception last year but I think I've finally decided on a title and you heard it here first. It will be called Time and there is a title track which no doubt some of you have heard on soundcloud in its demo format. I only hope I can convey the same emotion in it when I properly record it! I'm hoping to launch this album at a very special location in North Devon, one I've never launched at before. I'll let you know more when I've got dates confirmed 'cause I don't like to count my chickens before they've hatched!


In the mean time I'll be supporting Boo Hewerdine (my producer) at Tapeley Park this Wednesday and I'm planning to unveil some new tunes and maybe even a new instrument.... intrigued? Come on down and cash in those hugs I've been promising! Seriously I need cuddles :P

Rose x 


Well it's been a while because I came back from my Northern Tour and went straight back into the day job which was absolutely exhausting! Apologies to anyone who came to the Gardens last week and had to deal with me - I'm sure I must've appeared in a daze - although something happened at work yesterday that jolted me back into my music-mind and reminded me to write this blog so I shall open with it :-)

There I was stood at my window, greeting a gentleman and two ladies and giving them the long schpeel about admission prices and gift aid when a lady interrupts, "do I know you?" Immediately puzzled I Hugh Grant, "err ... err... no?" "Are you a singer?" They blurt out. An easy question, I boom, "Yes! Yes I am," "that's it, I didn't recognise you at first, well you wouldn't remember us, we're the audience..." she trails off as I blush and get a star-struck equivalency of someone being slightly star-struck. I giggle like a twit as they walk away and I greet the following customer with an airy, glazed over expression on my face. What a dope! This has happened before but not for a long long time and that was at karaoke so this time it was out of context and kind of made my day, being all unexpected and all :) So thank you whoever you guys were! That made Monday a lot easier! I'd better get on now with telling you about the tour!

Now I did keep a diary the entire time I was away but obviously I'm going to bore you to death if I write all of it here so I'm going to try and paraphrase and cover the main points. First up, Ireby Festival. This was the first gig of the tour and it was in a quaint little church with a flat ceiling, I really enjoyed singing in there as I could just let my vocals soar - I was singing by the altar where the ceiling hadn't been lowered - I was later told, "it sounded lovely but I couldn't hear what you were singing." The first of many brilliant quotes from the juggler who we ended up staying with when we returned to Cumbria and who also taught us the basics of juggling. I might have a new party trick to open with...

We then headed on over to Mae's Tea Rooms and despite a lack of bus, and thus, audience the owner was very welcoming and gave us lunch on the house which didn't 'alf make the pennies go further. Thank you again! We had a random walk in the beautiful sunshine in the shadow of Skiddaw (highest peak in England I'm told) in Bassenthwaite and made our way down a stony path, past lambs and sheep to a chapel on the edge of Bassenthwaite Lake (the only 'lake' in the lake district I'm told). Stunning scenery and I drop to the floor in the graveyard to write a new song... as you do. Ben thought I'd lost it. I finished the song in the chapel and performed it about four times after, still can't quite pronounce Bassenthwaite though so the intro to the song remains quite embarrassing! 

Edinburgh next, ah Scotland. You know there's something about Scotland, there really is. It's like coming home and we were so sad to leave! Such a modern, swish city with a dirty great terrifying structure in the centre called the Scott monument that honestly looked like it was screaming at me! No matter where we went in the centre you could see it, like some piercing structure summoning the devil, I was honestly very freaked out by it but eventually we decided it was black from pollution and maybe wasn't evil after all? ...Ben made me climb it... I had trouble just approaching it but he was right to do so 'cause the view from the top was spectacular, even if it was up 297 steps... I had a great time at the Wee Folk Club, and an even better time at Edinburgh Folk Club. Met a lovely Irishman who sang a song about mistaking a girl for a swan and shooting her dead - as Mr Purser says, it ain't folk unless someone's dead at the end.

Then we headed back to Carlisle for BBC Radio Cumbria first where I proudly played my Bassenthwaite ode, 'Laid down' and I must say it went down really well. After an  uncomfortable trip to the castle (those dungeons were awful) and an education at Hadrian's Wall (turn's out it doesn't divide England and Scotland anymore, so embarrassed) I finished up at the Carlisle Folk & Blues club. Best gig so far. One thing that stood out the most on this tour was that it was the first time I've had audience participation and I can now understand why Dave Gahan goes nuts on stage when we all sing back the lyrics. The feeling is so warming and humbling, it's a cloaked connection to make as I can't see faces on stage, just glistening shadows. Magic.

Well I still managed to waffle on a bit but at least I condensed my eighteen-page saga into a couple paragraphs for you! There's still more to update you on but I reckon I'd better give you a break for a bit and update you after BAAM fest. Thanks for reading/loving/listening as always!

Rose x

It's not a punchy title granted but at least you know what I'm going to waffle on about now! First up, Hartland Abby. Wow. I had never been before but it was a bank holiday and what with the weather being a bit iffy we decided to pay the extra and head inside the house before trekking around the blanket of bluebells that smothered the grounds.

At first it was very much like Tiverton Castle (if memory serves at least) there were swords and deer on the wall and things felt very medieval. Then we stepped into the main living areas - as the house is still used - and it was a different mood entirely. I won't describe each room in detail but it you're a fan of rare and unusual 1800 houses check this one out. The drawing room was my favorite, it had an intricately painted ceiling that reminded me of a deck of cards and arthurian paintings lined the top of the walls and it was there where we spotted a piano...

now I wasn't going to say anything, I mean you guys know how iffy my self confidence is on keyboards, but Ben couldn't resist and started plugging me to [what we thought was] one of the stewards. Turned out it was in fact Lady Stucley and she insisted I play the piano. Horrified I'd embarrass myself I dawdled up the staircase racking my brains for anything to get me started - what songs would go down well? What could I start with? I stepped over the blue rope, sat on the embroidered stall, rested my fingers on the keys and as if by magic they began to play the best they've ever played. You have to remember I've had no lessons in piano and I rather feel it's one of those instruments that you really should have lessons for so if someone springs these kinds of things on me my hands normally loose all composure and make blatant mistakes. Regardless it was a privilege to play this piano especially as there was a bit of a story to it.

There was a photo on a gentleman facing me on top of the piano, along with a girl - a daughter who had died in the house many moons ago of polio. The gentleman had returned annually to visit her grave and was the last to play the piano aside from visitors. I didn't sing but I felt compelled to play the song I had written about my Father's death, 'Too Soon,' and it was a very moving experience. I just felt like I connected to something and there was a great empathy between it and me. I am hoping to return to the Abby in the future as they were so welcoming - they insisted I come back and play again so stay tuned, who knows what Ben will concoct

Onto Okehampton acoustic then and I had a lovely time! We headed down Saturday evening and made our way through a mini maze of patio and tree following two suspected band members and the sound of singing. In we went and I was immediately hit by the sweet smell of incense - my kind of venue! I was greeted by Phil who was more than lovely throughout the evening - what a mood inducer! His music made me ooze lyrics. When it came time for me to play I was a little nervous - that's what you get for wearing wedges - but it went really well! I was throwing songs into the set off the top of my head hoping they would go down well as it was suggested, and then eventually requested, that I do a bit longer than 20 mins. I tried to give a good mix of brand spanking new material and golden oldies and I really felt comfortable on stage. That probably sounds a bit weird but I don't always feel at ease behind the mic, lately though I've felt better behind it - probably because I've been more myself and shared more stories of how things were written and why. It was great to hear, "I liked what you did as Roholio but this is better" - or words to that effect from Phil! So naturally I left Okehampton on a natural high feeling very grateful that the good people of the club not only donated money towards diesel but also bought some of my albums. A great night all around!

Oh and for one final positive note... I finally have dates for recording! 

and on that bombshell....

Rose x